A project of HERE
MADE HERE is a documentary series and website focusing on performing artists based in New York City. A collage of intimate interviews, performances and behind-the-scenes footage, MADE HERE mirrors the rich diversity of the artists and communities they serve. The website has more than doubled initial projections, with over 23,000 unique visitors from 77 countries.
The first season was launched in May 2010, and by the end of September, had released 15 short episodes featuring 40 artists and covering five major issues: Creative Real Estate, Day & Night Jobs, Family Balance, Activism and Technology. Season Two rolled out from March through July 2011 with 28 additional artists and three episodes each month on: Identity, Creative Practice, Money, Lifework, and Home. Season Three will be from April through June 2013 with 25 additional artists and three episodes each month on: Art & Commerce, Criticism, and Health. The website provides a platform for audiences to offer feedback on the episodes, artists to share and discover resources, and communities to engage on the issues. In addition, each issue is accompanied by a monthly live screening and panel event. MADE HERE is supported by a 2009 Rockefeller Cultural Innovation Fund award with renewed funding for Seasons Three and Four. Additional support was provided by the Doris Duke Charitable Foundation and the New Generations Program administered by Theatre Communications Group.
HERE has been a premier arts organization in NYC and a leader in the field of new, hybrid performance work since 1993. Under the leadership of Founding Artistic Director Kristin Marting and Producing Director Kim Whitener, HERE has served over 12,000 emerging to mid-career artists developing work that does not fit a conventional programming agenda. Work presented at HERE has garnered 14 OBIE awards, including the 2009 Ross Wetzsteon Award, an OBIE grant for artistic achievement, five Drama Desk nominations, four NY Innovative Theatre Awards, an Edwin Booth Award and a Pulitzer Prize nomination. HERE proudly supports artists at all stages in their careers through full productions, artist residency programs, festivals and subsidized performance and rehearsal space. Work at HERE is curated based on the strength and uniqueness of the artist’s vision. HERE’s Artist Residency Program (HARP) provides development, commissions and full production for 15-18 artists over one-to-three years. HERE is located at 145 Sixth Avenue, one block below Spring Street. For more info, http://visit www.here.org.
Kristin Marting is Co-Founder and Artistic Director of HERE and a director of hybrid work based in NYC. At HERE, she cultivates artists and programs all events for two performance spaces for an annual audience of 30,000. Under her leadership, HERE has garnered 16 OBIE awards, 2 OBIE grants for artistic achievement, an Edwin Booth Award, five Drama Desk nominations, two Berrilla Kerr Awards, four NY Innovative Theatre Awards and a Pulitzer Prize nomination. She was recently named a nytheatre.com Person of the Year and honored with a BAX10 Award. She lectures at various universities and serves on grant panels for various agencies. She graduated from NYU with honors in 1988.
Kim Whitener joined HERE as Producing Director in February 2007. She works in partnership with Artistic Director Kristin Marting to co-curate and co-produce HERE’s performance programs and activities. HERE supports the work of mid-career artists working in hybrid forms through commissions, developmental activities, and fully produced works as part of the HERE Artist Residency Program (HARP), and presents Visiting Artist works through its presenting programs. Ms. Whitener has also been an independent producer working with a diverse range of artists in the contemporary theater, dance-theater, and multi-media worlds, including The Builders Association, Big Dance Theater, Martha Clarke, among others. Previously, Ms. Whitener was Managing Director of The Wooster Group.
Tanya Selvaratnam is a producer, writer, theater artist, and activist. Since 2008, she has also been the Communications and Special Projects Officer for the Rubell Family Collection. Recent film productions include Mickalene Thomas’s HAPPY BIRTHDAY TO A BEAUTIFUL WOMAN, Catherine Gund’s WHAT’S ON YOUR PLATE?, Chiara Clemente’s OUR CITY DREAMS and the Webby Award-winning BEGINNINGS. As a theater artist, Tanya has performed around the world in shows by The Wooster Group, The Builders Association, Jay Scheib and many others; appeared in films and video installations by Carrie Mae Weems, John Malpede, Sharon Hayes, Andrea Geyer, David Michalek, and Jennifer Reeves; been a fellow at Yaddo and Blue Mountain Center; and a guest actor at New Dramatists, Lincoln Center Directors Lab, Voice & Vision Theater, and the Institute on Arts and Civic Dialogue. As an activist, she has worked with the World Health Organization, Ms. Foundation, NGO Forum on Women, Third Wave Foundation, and Groundswell Community Mural Project. Her book, THE BIG LIE, is forthcoming from Prometheus Books in Winter 2014. about.me/tselvar
Chiara Clemente is a film director who explores identity, cultural contrast, and the creative process. In 2000 she directed her first art documentary for RAI in Italy. Chiara continued to film and collaborate with artists, and in 2005, she started making her first feature documentary, Our City Dreams, following five women artists (Nancy Spero, Marina Abramovic, Kiki Smith, Ghada Amer and Swoon) who live and work in New York City. Critically-acclaimed, Our City Dreams premiered at New York City’s Film Forum in February 2009, screened in more than 30 cities worldwide, and was broadcast on the Sundance Channel. Since making her feature Chiara has directed for Saatchi and Saatchi, T Magazine of The New York Times, Levi’s, Apple, Wieden + Kennedy and Persol. Most recently she has created and directed two seasons of Beginnings, an original short film series for the Sundance Channel, which won a Webby Award in 2012. www.chiaraclemente.com
Russell Greene is a New York film editor of seven feature films as well as numerous commercials, short films and promotional videos. His most recent films include Harry Dean Stanton: Partly Fiction (Venice Film Festival and SXSW) and Ordinary Miracles: New York’s Photo League. In addition to editing, he also wrote and directed the short film Easy Street, winner of six awards for Best Short Film on the 2012 festival circuit. He served as First Assistant Editor on several additional films including the Academy Award-nominated and Emmy-winning The Betrayal and the Sundance Award-winning Patti Smith: Dream of Life. He is currently editing a feature doc on the legendary Coney Island restaurant Nathan’s Famous. He lives in Brooklyn with his wife and two children.
Heather Greene is a New York-based producer that works in Feature and Documentary Film, Television, and Live Events. She has been a part of numerous and varied projects such as the live shows and film projects of Fischerspooner and Vanessa Beecroft, Vice’s “Guide To Travel”, the television series "How's Your News?”, the Sundance web series "Beginnings", and documentary features “Of All The Things” and “What’s On Your Plate?” to name just a few. Heather lives with her husband and two sons in Brooklyn, NY.
Karina is a New York-based producer and filmmaker, whose projects include an original web series, an interactive online documentary series, promos, how-to videos, and event videography. She has produced, shot, and edited videos for Howcast.com, Downtown Community Television, 13 Playwrights Inc., EmcArts, art.party.theater.company, and is the Associate Producer of "Flag Football," a feature documentary about the journey of four teams in the National Gay Flag Football League to Gay Bowl X. Currently, Karina is the Online Cultural Producer at EmcArts, Inc. Prior to joining EmcArts, she was a producer for Season One of the documentary series "MADE HERE: Performing Artists on Work and Life" for HERE, where she also served as General Manager/Associate Producer from 2008 to 2011. Prior to HERE, Karina served as General Manager for 13 Playwrights, Inc., Management Associate for Liz McCann/Tony Awards Productions, and Producing Assistant for Carole Shorenstein Hays Productions. Karina has an MFA in Theater Management and Producing from Columbia University, where she wrote her thesis on the strategic use of online tools and technologies for arts organizations. She holds a BA from Harvard College.
SEASONS THREE AND FOUR ONLY
Camera: Omar Mullick
Assistant Camera: Jorge Arzac
Sound Mixer: Richard Levengood, Joshua Tucker, Coleman Wenner
Assistant Editor: Erin Taylor Kennedy
Trailer and Graphics: Alex Meillier and Tanya Ager Meillier
Website Manager: Trevor Martin
Research & Outreach Associate: Kelsey Ryan
Theme Song: Sxip Shirey
SEASON TWO ONLY
Assistant Producer: Erin Taylor Kennedy
Camera: Frank Stanley
Sound Mixer: David Pruger, Jarett Livingston
Assistant Editor: Erin Taylor Kennedy
Website Manager: Matthew de Leon
Research & Outreach Associate: Cassie Wagler
Theme Song: Reggie Watts
Additional Music: Moby
SEASON ONE ONLY
Camera: Miklos Buk, Theo Stanley
Sound Mixer: David Pruger, Michael Reilly, Christopher Reifeiss
Assistant Editor: Cat Tyc, Kelly Bray
Production Interns: Debby Brand, Brian Bauman
Theme Song: Reggie Watts
Additional Music: Moby
SEASON THREE: Joey Arias, Arthur Aviles, Eisa Davis, Mohammed Fairouz, Philip Seymour Hoffman, Bill T Jones, Cherry Jones, Mia Katigbak, Lisa Kron, Ethan Lipton, Carolina Penafiel, Charles Rice-Gonzalez, Sxip Shirey, Elizabeth Streb, Clyde Vanletin, Reggie Watts
SEASON TWO: Jen Abrams, Kahlil Almustafa, Thomas Bradshaw, John Collins, Brendan Coyle, Amanda Curtis, Dana Edell, Oskar Eustis, Miguel Gutierrez, Joan Jonas, Aaron Landsman, Elizabeth LeCompte, Young Jean Lee, Kate D. Levin, Sheila Lewandowski, Abby Marcus, Qui Nguyen, Brian Rogers, Mildred Ruiz-Sapp, Steven Sapp, Betty Shamieh, Black-Eyed Susan, Chandra Thomas, Basil Twist, Kate Valk, Reggie Watts, Natasha Williams, Caroline Woolard
SEASON ONE: Moe Angelos, Arthur Aviles, Jess Barbagallo, Anne Bogart, Wally Cardona, Hai-Ting Chinn, Ping Chong, Gabri Christa, Chinese Theatre Works, Toni Dove, Yehuda Duenyas, James Tigger! Ferguson, Kuang-Yu Fong, Ximena Garnica, Roselee Goldberg, Ain Gordon, David Gordon, Miranda Hardy, Mikéah Ernest Jennings, Melanie Joseph, Ben Kerrick, Mari Kimura, Peter Ksander, Taylor Mac, Kristin Marting, Jennifer Miller, Paul D. Miller, Shige Moriya, Julie Atlas Muz, Erin Orr, Vernon Reid, Laine Rettmer, Charles Rice-Gonzalez, Rokafella, Elizabeth Streb, Valda Setterfield, Xiaojun Song, Charlie Todd, Kate Valk, Marianne Weems, Jennifer Wright Cook, Ying Zhang
Bronx Academy of Arts and Dance
Brooklyn Arts Council
Brooklyn Arts Exchange
The Chocolate Factory
Council on the Arts & Humanities for Staten Island
Harlem Arts Alliance
LaGuardia Performing Arts Center
Lower Manhattan Cultural Council
New York Theater Workshop
Queens Council on the Arts
Snug Harbor Cultural Center & Botanical Garden
145 Sixth Ave
New York, NY 10013
MADE HERE needs your support so we can continue capturing the lives of performing artists. Every donation helps us expand the project to more issues, episodes, artists, contributors, and audiences.
For questions or information on corporate sponsorship, contact firstname.lastname@example.org.
MADE HERE is supported by a 2009 Rockefeller Cultural Innovation Fund award.
Welcome to the fifth and final issue of Season 2! MADE HERE explores the concept of home. In the first episode, we hear about how artists chose to come to New York and what they discovered upon arrival. The second episode looks at how artists create connections with each other and with their communities to define a sense of belonging. Finally, artists talk about why they think New York is the creative cauldron of the world.
The three episodes for this issue are: Arriving, Belonging, and NYC.
Click for relevant news, organizations, and research.
What is your earliest memory of New York or another city where you live and work? Is there anything you would change about New York or another city where you live and work?Submit a resource
What distinguishes New Yorkers from those merely passing through.Mapping Gentrification
Multimedia artist Sarah Nelson Wright’s project "LOCATIONS DISLOCATIONS" maps New Yorkers as they move to different addresses around the city.
The Office of Financial Empowerment offers workshops and financial counseling for New York City artists, so they can afford to stay in the city and stay in the arts.brooklyn spaces: a compendium of brooklyn culture & creativity
Blog chronicling Brooklyn’s best creative and cultural spaces.
The Center for an Urban Future's 2005 report "Creative New York" explores the economic contribution of New York's vast creative sector.Mayor’s Office of Operations: My Neighborhood Statistics
This website provides searchable statistics for all New York City neighborhoods. It lets residence know how City agencies are performing in their neighborhood.
Have you ever moved to a different city to make your work? What influenced your decision?
I moved to NYC in 1992 after college to make theater. I’ve been tempted over the years to find a smaller city with a higher standard of living, but can’t bear the thought of leaving New York. Plus, I don’t think I could maintain this dual status of critic/artist in a different city.
I moved from Staten Island to Williamsburg, Brooklyn in 2009 (the height of the recession). I moved to be closer my “community” but felt more removed than ever. I spent a year working numerous jobs, dancing hard, and feeling so completely disenchanted with “city life”! After time on Martha’s Vineyard, one of the most beautiful places I’ve been to, I returned to my “city-pastoral” (Staten Island) with no looks back.
Yes, I grew up in Dominican Republic and came here after high school. I come to NY because I wanted to be an artist and here I had all the possibilities to be anything I wanted to be. New York was and still is the center of the art world.
Yes. I wanted to immerse myself fully into “the work.” I needed to reinvent myself and the work. I also needed a frame of work, which is often location-based for me.
I moved back to St. George in 2011 to paint full time. Within 3 years I was supporting myself on sale of my art. I would never have dared to dream that - so I just did it.
They find the studio a cobwebbed shambles, visited only by rare hardcore fans and lost Chinese tourists, with a morose Alan Arkin the <a >Ray ban Glasses Wholesale</a> tour guide. Walter learns of a plan to raze the dream factory for oil drilling. With the old Muppet team disbanded, how can they raise the $10 million needed to rescue the studio? If only there were some way to reunite the old troupe and put on a telethon!. “It’s a slow clothes movement, like the slow food movement,” said Marilyn DeLong, a professor in apparel study at the University of Minnesota’s College of Design. “You can always grab a drive-thru hamburger for a dollar and a half, but delicious menus of home-grown food are more wonderful and have memories attached to them. Clothes can be like that, too.”. Short dresses are becoming a favorite purchase trend for homecoming and prom 2011 season. Designers understand more and more how young ladies and women alike want many fashion options for their special occasion. Everyone wants their own look and to stand out from the crowd. The salesperson was very helpful, but my daughter didn’t like the way that the shoes felt on her feet. I tried to explain to her that ballet shoes were supposed to feel that way. I also told her that she has to wear them if she wanted to take ballet classes. What does digging <a >ray ban sunglasses</a> in the dirt have in common with bargain hunting? More than you’d think. Planting a garden is a great way to replace the sense of empowerment and accomplishment that many of us get from shopping. You’ll also get to enjoy the thrill of having something new when your labors produce fruit (or vegetables and herbs.) If your shopping trips have been straining the household budget, a home garden can put money back into your wallet by saving you money at the grocery store.. Man where should we start when talking about Nike basketball shoes. The history in the brand Nike alone is enough to just go buy a pair of there basketball shoes! But knowing that i love Adidas, Nike is still <a >oakley sunglasses outlet</a> one of the best if not the best basketball shoes <a >Ray Bans Glasses Sale</a> out there today. The fly wire technology in Nike shoes today is incredible.